A lot of movies have been shot in Kashmir and have stories based on the Kashmir issue. Hritik Roshan Mission Kashmir was shot in Kashmir. Movies like LOC too had portions shot in different locations of Kashmir. Songs are often shot in Shikara’s too give it the Kashmiri feel. Hope the makers in this area just decide to not get stopped by the terrorism and make more movies in Kashmir so that the world can see the natural beauty of this place.
Yester years star Waheeda Rehmann visited Kashmir after 26 years and this is what she had to say ” Kashmir used to be the favorite shooting spot for all Indian filmmakers in 50′s, 60′s and 70′s and we’ve always loved to be here. I’m a little disheartened to see the condition of the Dal Lake, whose waters used to be crystal clear. Encroachments all along Dal, too many people and lack of hygiene among the people have spoiled my mood. The silver lining, however, is that normalcy is returning to Kashmir, which could be a harbinger of a new era for the people of the valley”.

Kashmir has given Bollywood stars like Kiran Kumar, Anupam Kher, Sanjay Suri, Jeevan and a new star Rahul Bhatt. Onkar Aima is another famous personality from Kashmir. Child artist turned hero Kunal Khemu too is a Kashmiri gift to Bollywood.
Marathi Film Industry

This industry has its base both in Mumbai and Pune. This is an industry which is being supported by the Maharashtrian government. Due to Bollywood this state had ignored their own regional industry and so now the government has made it a rule that all multiplexes and theatres have to show Marathi movies. These multiplexes which show Marathi movies are given many subsidies. It’s a nice way to motivate the theatre owners to show regional movies.

Marathi movies are made with a lot of reality and their song and dance sequences are very lively. A lot of Marathi stars make it big in bollywood too. One theatre owner screened the movie Shwaas for an entire week without charging a single penny because it was such a meaningful movie.

Movies in India are basically made with a lot of spices. In India a movie has to have song, dance, romance, thrill, suspense, comedy, action, family drama etc. People in India work for ten hours a day and that too during the main part of the day and so many of them return to a home with no entertainment. The only available entertainment is movies. Whether a business tycoon or a cycle rickshaw driver all want to watch movies. So when a movie is made the makers have to keep in mind both the masses and the classes.

Indian cinema has improved drastically and now the audience is very mature too. They still want song and dance but not the running around tree sequences. So now there is a new market for item songs. This is where a nice fast track is made only for a great dancer to dance and increase the sales. Some of the top songs have been Babuji zara dhere chalo, khallas etc.
Movies were made particularly for the masses and the multiplex crowd. But now the viewers want to see good movies with great stories. Earlier the hero carried the entire movie on his shoulders but now the load is evenly spread. A movie will do well even if you don’t have a great star cast but have a great story and your actors do a job. A good example for this would be Khosla Ka Ghosla. There is nobody you can call the hero of the film but it’s realistic and humorous.

In three hours the audience wants to laugh, cry and be excited and so it’s a tough task for the directors but then hats off to all Indian directors as they come up with something spicy enough to fulfill the needs of all types of viewers.

Each movie has the main story and a lot of other small stories that build around it. At times in stories there may not be any scope for comedy. A lot of directors use other characters and bring in another funny plot. This comedy has no link with the movies. In the past people accepted this kind of comedy too but nowadays the audience accepts comedy only when it’s a part of the main story.

People who want to watch emotions are very particular about the quality of the emotions too. If you can’t cry or deliver the dialogues properly the audience rejects the star immediately. The stars have to be convincing enough. This is where the director’s ability is tested. The comedy has to be timed properly and the tears have to be realistically shed.

Movies in India have been made with a lot of respect for family values and traditions. Every movie which shows any function has to do it in the right way. If there is a wedding song in a movie it not only becomes a hit. It becomes a part of every Indian wedding. Movies like Hum Saath Saath Hain and Hum Apke Hain Kaun have been very very big hits because each and every scene of the movie is actually what happens in joint families and in weddings.

A movie when made in India has to be made in such a way that both a 5 year kid and an 85 year old grand father both have to enjoy it. It has to have a great story, touching performances, lovely music, breath taking locations, great dance steps and of course a really bad villain whom the hero has to bash up even if he is on the death bed.

There was an era when dancing was only done by the women. Soon the men were expected to shake a leg too. This was a waterloo for many action heroes. Stars like Dharmendra and his son Sunny Deol are terrible dancers and is very obvious when they dance. Then came in stars like Amitabh, Jeetendra and Rajesh Khanna who could dance something if not very well. It was Mithun Chakraborty who took the stage at that time. He did movies based on dance like Disco Dancer and brought in the disco craze into the country. Dancing then moved to another high when stars like Amir, Salman and Shah Rukh came in. The new generation of actors were all natural dancers. But let’s not forget to give credit to some actors who were not very good dancers but worked very hard to make it big in the dance industry. Topping this chart will be Saif Ali Khan and apna Big B. Saif was called the star with two left feet but after Oole Oole he changed his image completely. Just look at Amitabh Bachchan in Chali Chali or Rock and roll soniye and he will teach you how dance your way gracefully, stylishly and youthfully to success.
When we say dance there are some actresses who are called the goddess of dancing. To name a few lets start with Rekha, Sri devi, Madhuri, Urmila, Karishma and Aishwarya. If you are an actress who can’t dance in bollywood you can survive. So, all the actresses can dance a bit at least. The ones who excel are the ones who can dance gracefully with complete facial expressions and the smile on their faces. Rekha won a national award for Umrao Jaan where she plays a courtesan. This involves very intricate dancing with a different expression for every word. Each of the above mentioned actresses has played roles in major dance movies like Dil to Pagal Hai, Hum apke hain kaun and Devdas. People still can’t get over the magic of Sri Devi’s Na jaane kahaan se aaye hai, Rekha’s Dil cheez kya hai, Madhuri’s Didi tera devar deewaana, Urmila’s rangeela re, Karishma’s Mujhko hue na khabar and Aishwarya’s Crazy kiya re.

Choreography is now the most in thing. The top dance directors now are Saroj Khan, Farah Khan, Vaibhavi Merchant, Bosco and Caesar, Ahmed Khan, Ganesh Hegde and Ganesh Acharya. Each one of these directors has a style of their own. Saroj Khan is the senior most and has many awards and hit songs to her credit. Farah is a very different director and has many unusual songs to her credit like Chaiya Chaiya, which was shot on top of a moving train. She is also the one who brought in the Hritik Roshan style of dancing. She is the one who brought out the best of his dancing abilities in his first movie Kaho Na Pyar hai. Farah and Ahmed slowly graduated from only choreography to directing their own movies too. Farah’s first movie was Main Hoon Na with the king Khan and it was a very big hit.

Awards

As of 2005, there are 31 awards announced. There is a separate category of film-critics awards, decided by noted film-critics selected by ht committee rather than popular voters. This dual format generated some controversy amongst viewers and recipients. Awards are given in the following Divisions.

Movies in India are basically made with a lot of spices. In India a movie has to have song, dance, romance, thrill, suspense, comedy, action, family drama etc. People in India work for ten hours a day and that too during the main part of the day and so many of them return to a home with no entertainment. The only available entertainment is movies. Whether a business tycoon or a cycle rickshaw driver all want to watch movies. So when a movie is made the makers have to keep in mind both the masses and the classes.

Indian cinema has improved drastically and now the audience is very mature too. They still want song and dance but not the running around tree sequences. So now there is a new market for item songs. This is where a nice fast track is made only for a great dancer to dance and increase the sales. Some of the top songs have been Babuji zara dhere chalo, khallas etc.
Movies were made particularly for the masses and the multiplex crowd. But now the viewers want to see good movies with great stories. Earlier the hero carried the entire movie on his shoulders but now the load is evenly spread. A movie will do well even if you don’t have a great star cast but have a great story and your actors do a job. A good example for this would be Khosla Ka Ghosla. There is nobody you can call the hero of the film but it’s realistic and humorous.

In three hours the audience wants to laugh, cry and be excited and so it’s a tough task for the directors but then hats off to all Indian directors as they come up with something spicy enough to fulfill the needs of all types of viewers.

Each movie has the main story and a lot of other small stories that build around it. At times in stories there may not be any scope for comedy. A lot of directors use other characters and bring in another funny plot. This comedy has no link with the movies. In the past people accepted this kind of comedy too but nowadays the audience accepts comedy only when it’s a part of the main story.

People who want to watch emotions are very particular about the quality of the emotions too. If you can’t cry or deliver the dialogues properly the audience rejects the star immediately. The stars have to be convincing enough. This is where the director’s ability is tested. The comedy has to be timed properly and the tears have to be realistically shed.

Movies in India have been made with a lot of respect for family values and traditions. Every movie which shows any function has to do it in the right way. If there is a wedding song in a movie it not only becomes a hit. It becomes a part of every Indian wedding. Movies like Hum Saath Saath Hain and Hum Apke Hain Kaun have been very very big hits because each and every scene of the movie is actually what happens in joint families and in weddings.

A movie when made in India has to be made in such a way that both a 5 year kid and an 85 year old grand father both have to enjoy it. It has to have a great story, touching performances, lovely music, breath taking locations, great dance steps and of course a really bad villain whom the hero has to bash up even if he is on the death bed.

Movies in India are basically made with a lot of spices. In India a movie has to have song, dance, romance, thrill, suspense, comedy, action, family drama etc. People in India work for ten hours a day and that too during the main part of the day and so many of them return to a home with no entertainment. The only available entertainment is movies. Whether a business tycoon or a cycle rickshaw driver all want to watch movies. So when a movie is made the makers have to keep in mind both the masses and the classes.

Indian cinema has improved drastically and now the audience is very mature too. They still want song and dance but not the running around tree sequences. So now there is a new market for item songs. This is where a nice fast track is made only for a great dancer to dance and increase the sales. Some of the top songs have been Babuji zara dhere chalo, khallas etc.
Movies were made particularly for the masses and the multiplex crowd. But now the viewers want to see good movies with great stories. Earlier the hero carried the entire movie on his shoulders but now the load is evenly spread. A movie will do well even if you don’t have a great star cast but have a great story and your actors do a job. A good example for this would be Khosla Ka Ghosla. There is nobody you can call the hero of the film but it’s realistic and humorous.

In three hours the audience wants to laugh, cry and be excited and so it’s a tough task for the directors but then hats off to all Indian directors as they come up with something spicy enough to fulfill the needs of all types of viewers.

Each movie has the main story and a lot of other small stories that build around it. At times in stories there may not be any scope for comedy. A lot of directors use other characters and bring in another funny plot. This comedy has no link with the movies. In the past people accepted this kind of comedy too but nowadays the audience accepts comedy only when it’s a part of the main story.

People who want to watch emotions are very particular about the quality of the emotions too. If you can’t cry or deliver the dialogues properly the audience rejects the star immediately. The stars have to be convincing enough. This is where the director’s ability is tested. The comedy has to be timed properly and the tears have to be realistically shed.

Movies in India have been made with a lot of respect for family values and traditions. Every movie which shows any function has to do it in the right way. If there is a wedding song in a movie it not only becomes a hit. It becomes a part of every Indian wedding. Movies like Hum Saath Saath Hain and Hum Apke Hain Kaun have been very very big hits because each and every scene of the movie is actually what happens in joint families and in weddings.

A movie when made in India has to be made in such a way that both a 5 year kid and an 85 year old grand father both have to enjoy it. It has to have a great story, touching performances, lovely music, breath taking locations, great dance steps and of course a really bad villain whom the hero has to bash up even if he is on the death bed.

This is true bollywood ishtyle where anything can happen. The hero can beat up any number of guys. The heroine can cry without glycerin. The villain is always ugly to look at. The police will never reach on time to save people. It’s only up to the hero to do all the running around, saving and bashing up. The heroines will always be wearing great makeup even if its in the middle of the night. Mother in laws can’t be good and the daughter in law will only worry about everybody else’s happiness and not hers. This is apna bollywood with all these errors but still it is the biggest film industry in the world. Nearly thrice the number of movies is made each year than the number of days in a year. If you are a movie buff then there is no place like bollywood because there is nothing that you can’t find here.

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A lot of movies have been shot in Kashmir and have stories based on the Kashmir issue. Hritik Roshan Mission Kashmir was shot in Kashmir. Movies like LOC too had portions shot in different locations of Kashmir. Songs are often shot in Shikara’s too give it the Kashmiri feel. Hope the makers in this area just decide to not get stopped by the terrorism and make more movies in Kashmir so that the world can see the natural beauty of this place.

Yester years star Waheeda Rehmann visited Kashmir after 26 years and this is what she had to say ” Kashmir used to be the favorite shooting spot for all Indian filmmakers in 50′s, 60′s and 70′s and we’ve always loved to be here. I’m a little disheartened to see the condition of the Dal Lake, whose waters used to be crystal clear. Encroachments all along Dal, too many people and lack of hygiene among the people have spoiled my mood. The silver lining, however, is that normalcy is returning to Kashmir, which could be a harbinger of a new era for the people of the valley”.

Kashmir has given Bollywood stars like Kiran Kumar, Anupam Kher, Sanjay Suri, Jeevan and a new star Rahul Bhatt. Onkar Aima is another famous personality from Kashmir. Child artist turned hero Kunal Khemu too is a Kashmiri gift to Bollywood.
Marathi Film Industry

This industry has its base both in Mumbai and Pune. This is an industry which is being supported by the Maharashtrian government. Due to Bollywood this state had ignored their own regional industry and so now the government has made it a rule that all multiplexes and theatres have to show Marathi movies. These multiplexes which show Marathi movies are given many subsidies. It’s a nice way to motivate the theatre owners to show regional movies.

Marathi movies are made with a lot of reality and their song and dance sequences are very lively. A lot of Marathi stars make it big in bollywood too. One theatre owner screened the movie Shwaas for an entire week without charging a single penny because it was such a meaningful movie.

In Indian movies dance is vital as the story. This is so because in India whether you are old or young, good or bad everybody can dance. It’s a nice way to relax and so people want to both watch and dance to catchy tunes. Due to this movies which don’t even have a need for a dance song introduce one in one way or the other. In the past every movie had a female negative lead or the vamp that would wear skimpy colorful clothes and dance for the villains. This brings to mind vamps like Helen, Bindu and Aruna Irani. These dancing divas had a style of their own. Helen was famous for songs like Monica Oh My Darling and Yeh mera dil. Then dancing became a group affair and everybody was expected to dance.

There was an era when dancing was only done by the women. Soon the men were expected to shake a leg too. This was a waterloo for many action heroes. Stars like Dharmendra and his son Sunny Deol are terrible dancers and is very obvious when they dance. Then came in stars like Amitabh, Jeetendra and Rajesh Khanna who could dance something if not very well. It was Mithun Chakraborty who took the stage at that time. He did movies based on dance like Disco Dancer and brought in the disco craze into the country. Dancing then moved to another high when stars like Amir, Salman and Shah Rukh came in. The new generation of actors were all natural dancers. But let’s not forget to give credit to some actors who were not very good dancers but worked very hard to make it big in the dance industry. Topping this chart will be Saif Ali Khan and apna Big B. Saif was called the star with two left feet but after Oole Oole he changed his image completely. Just look at Amitabh Bachchan in Chali Chali or Rock and roll soniye and he will teach you how dance your way gracefully, stylishly and youthfully to success.

This was a year fro the Malayalam Actresses in Kollywood. All the hits had a Kerala actress in it. Asin starred in Varalaru History of the godfather,Sandhya In Dishyum, Nayantara in Vallavan, Gopika in yamtan magan.

The Malayalam industry is the industry which has produced great actors like Mamooty and Mohan Lal. It’s this industry which is the main hub for original stories. A lot of Malayalam movies are remade into Tamil and Telugu. Cheran made autograph and he introduced Gopika and Kamala to the Tamil Industry. Stars like Mamooty and Mohan Lal have acted in many Tamil movies. Mamooty’s biggest Tamil hit was Kandukondain Kandukondain.

Asin was the face of the year in 2005 every movie which came around Diwali had her. She starred with Surya in Ghajini, Vikram in Majaa and with Vijay in Sivakasi. All the three movies were hits. Sandhya made her debut with the film kadal and walked off with the best actress award for the film. Gopika has impressed everybody with her simplicity and great eyes. This actress is going places without exposing anything at all. This year was a major year for Nayantara. This actress used act with the senior stars as she too was big built and looked good with them. Look at her this year she has shed off all the extra pounds and is looking sleek in Vallavan and E. Both the movies have been hits this year and she is riding high.

Back to Malayalam movies lets see the top five movies of 2009.

Top 5 Malayalam Movies

* Pazhassi Raja starring Mammootty, Biju Menon, Padmapriya, Manoj.K.Jayan, Kanika Subramaniam, Captain Raju.
* 2 Harihar Nagar starring Mukesh, Siddique, Jagadish, Asokan, Lakshmi Rai.
* Bhagyadevatha starring Jayaram, Narain, Nedumudi Venu, Venu Nagavally, K.P.A.C.Lalitha.
* Bhramaram starring Mohanlal, Suresh Menon, Bala Chandra Menon, Suresh Menon.
* Daddy Cool starring Mammootty, Richa Pallod, Master Dhananjay, Biju Menon.

Then emerged the films in colours. This happened only in the late 1950s. Colours brought in tremendous growth in this industry. This was a time when the musicals and a melodrama were seen everywhere. Stars like Raj Kapoor, Dilip Kumar and Dev Anand each created a mark for themselves. 1960s and 1970s brought in action movies and stars like Dharmendra, Jeetendra and Rajesh Khanna who were known as action heroes. Another landmark in the Indian film industry took place in 1975 and that was the launch of the 70mm movies. Sholay the first movie to be released as a 70mm movie didn’t do good business in the first week. The movie became a major block buster later as slowly slowly people went in to see the movie. The 1980s the heroes became more blood thirsty and every movie had the famous dialogue “kuttey main tera khoon pee jaunga”. This was the time when Amitabh Bachchan was known as the angry young man.