Amarjeet Shukla, the lead protagonist in the bollywood film, becomes a contract killer to save the life of his lady love Deepal Shaw, who is dying due to drug usage. He comes in touch with people like Sharat Saxena who plays underworld English speaking kingpin who wears dark shades, is surrounded by those 80s style left over blue-n-white drums and announces – ‘I am not interested in your love story; I want brave people’.

When a filmmaker doesn’t have any story to tell, he tries to perk up the narrative by using jump cuts, freeze frames and other technical wizardry – last year it was seen in “Woodstock Villa”, this year it’s in “Runway”.Amarjeet’s friend, who introduces him to the Don also warns him – ‘He is a man of commitment, so be careful.’

It’s just that the ‘man of commitment’ himself is nowhere to be seen in the entire second half as his henchman pairs up with Amarjeet to do rest of the killing. Worse, one doesn’t quite understand who is killing whom and what’s the purpose behind that?

So Amarjeet presses the trigger for the first time and just when he gets hold on a fake passport to fly back into India, courtesy Tulip, he decides to skip his flight and return to the mean streets.

By the way, Tulip plays a girl in a dance bar who ‘cannot be afforded’, as stated by one of her junior colleagues. She sings ‘bhojpuri’ songs, speaks English, lives in Mauritius, fears a Pakistani don and falls in love with an Indian. A true ambassador of globalisation.

Talking about Mauritius, one needs to give a rap on the knuckles of the person who created that fancy software that plays on Amarjeet’s laptop. Mauritius is spelt as ‘Muritus’ along with at least a couple of more English errors that is embarrassingly displayed on the big screen. Moreover, the film’s tagline ‘Love Among Gun Shots’ isn’t syntactically correct either! But then who would have cared about such minor things when there are bigger and far more glaring loopholes in the indian films…