Every character in debutant director Akshay Shere’s funny, bitter and violent ode to the road movie wants money. Sometimes they also crave for sex. For example, there’s this incidental character (the film has drug dealers, racketeers and criminals crawling out of every frame) who’s force-doped by Ravi Kishen, who is very at home playing the revved-up psycho.

The zonked-out sociopath asks Kishen, “Koi launadiya milegi, kya?”

You hope for his sake he never runs into Kalki Koechlin. There is one very smart and manipulative woman in this wicked and wacky road movie. Koechlin seems to enjoy herself playing the woman on the run… She ain’t no nun.

And boy, does she have fun! She is the casino-owner Abhimanyu Singh’s mistress. But happily gets kidnapped by the extortionists Ranvir-Vinay duo (yes, they are back together again!). Then when she runs into Mohit Ahlawat and his backseat wealth, she snuggles up to him as though she was Marilyn Monroe on speed.

Speed is paramount to the mounting tension in “Emotional Atyachar”. Everyone is in a hurry to get to the end of the road. Short-cuts are most welcome. The characters range from the strange to the deranged. This is quintessential Quentin Tarantino territory soaked in the oozing blood of Vishal Bharadwaj’s storytelling.

Add a dash of cruel humour — for sintance a fat man dying on the backseat whose friend, played by Jimmy Viryani, cuts open an artery while trying to remove the bullet. And you have a work that gets its target audience charged up and ready to go.

A hurried impatient narrative edited with brutal austerity, “Emotional Atyachar” is not every one’s cup of tea. Really, one doesn’t see people rushing for this strange tale of blood, gore and vendetta situated in the greyest moral zone of the modern wounded civilization.

While the screenwriting (Bhavini Bheda) and dialogues (Kartik Krishnan, Bheda) are quite often funny in a weird and quip-friendly kind of way, the performances are uniformly engaging. Ravi Kishen and Abhimanyu Singh are the pick of the lot. But the unknown theatre actor Anand Tiwari, who makes the mistake of offering the wounded Ahlawat a lift on the deserted Goa-Mumbai highway, and who plays the only morally conscious character, is outstanding.

The plot is self-consciously complicated. The wheelerdealers who swish in and out of the plot charting a bloody course are not quite the people you want to meet at a party let alone on a deserted highway. They don’t seem to know the knack of quitting while they are ahead.

It is a very good Bollywood Filim Directed by Akshay Shere

“The schedule is over! I am broken n bruised, and resting today surrounded by family. There is nothing like love and cuddles to heal the body and soul,” says the actor. Roshan has been reported to have been rehearsing aloud on his balcony pracitising hard to ensure that he gives out his best for the film which is slated to be one where he could easily bag multiple awards.

Guzarish is the second film after Koi Mil Gaya where he plays a medically unfit character.

He is not only celebrated for his outstanding acting talent but also known for gravity defying dance moves.
Hrithik is a class performer, who knows how to push boundaries every time he takes up new acting assignments. News has it that in Sanjay Leela Bhansali’s much awaited flick ‘Guzaarish’, the hunk of an actor will be playing a paraplegic, who performs lyrical jazz dance for the first time in any Bollywood film.

Talking to a news daily, a close source said, “It’s the first time lyrical jazz as a dance form will be seen in a Hindi film.”

Recently, Hrithik too spoke about his amazing dance experience on social networking site Twitter by saying, “Did lyrical jazz dance 4 Guzaarish. Best dance experience ever! Thanks to Ashley Lobo and his team! His dancing is like an out of body experience!”

Lyrical jazz is an exotic dance form where dancer uses expressions, thereby inducing deep desires, emotions and feelings in an exquisite manner.